我打了个哈欠，咕哝道：“什么案子，值得你大半夜的把我从家里拽到警局来啊。”
他收了笑，表情变得严肃：“已经出现第三个受害者了。而且作案时间在缩短，我怕很快要出现第四个受害者。”
我坐直身体，把档案袋的缠线解开，拿出里面的文件。
边看，骆宇边在耳边给我介绍案子的具体细节。
“目前已知的信息是，三个受害者都是洗脚女，但不是同一街区的，甚至不是同一个辖区，相互之间也没什么联系。”
“除此之外，她们三人的抛尸地点都是垃圾处理处，作案人似乎根本不怕被发现。”
“监控拍到了吗？”
“他抛尸的几个地点，正好是监控盲区，目前没有发现什么有用的监控信息。”
我翻着资料，问道：“那DNA检测结果呢？”
“***内有少量***残留，但是检测不出DNA。”
我挑了下眉梢：“弱精症？”
骆宇点点头：“我也是这么猜测的。”
我将那一沓资料重新放回到桌子上：“现在来商量一下你想怎么替我澄清吧。”
骆宇双手抱臂的看向我：“你觉得这个犯罪嫌疑人如何？不用画像，就简单的说一下你对他的看法。”
我说出自己的看法：“反社会人格，擅长将隐藏在人群中，没有任何社交活动，也许会在网上发过激言论，试图以这种方式被关注。”
顿了下，我又继续说道：“而且，我觉得他在挑衅警方，他觉得你们肯定抓不住他。”
他点头：“如果我们把对他的浅显表面的怀疑，做成线上直播，你觉得怎么样？”
我眯起眼睛：“你是想用这种方式，逼他现身？”
他笑着看我：“你觉得可行吗？”
我思索片刻，颔首：“可行。”
小说《当艺人暂停，我先去破案》第三章试读结束。
Dampier’s evidence shows how little the natives have changed in two hundred years. Yet evidence of progress may be detected, perhaps, as we have already shown. But one fact, perhaps of an opposite bearing, must be noted. A singular painting, in a cave, of a person clothed in a robe of red, reaching to the feet, with sleeves, and with a kind of halo (or set of bandages) round the head, remains a mystery, like similar figures with blue halos or bandages, clothed and girdled. None of the figures had mouths; otherwise, in Sir George Grey’s sketches, they have a remote air of Cimabue’s work.4 These designs were by men familiar with clothing, whether their own, or that of strangers observed by them, though in one case an unclothed figure carries a kangaroo. At present the natives draw with much spirit, when provided with European materials, as may be seen in Mrs. Langloh Parker’s two volumes of Australian Legendary Tales. Their decorative patterns vary in character in different parts of the continent, but nowhere do they now execute works like those in the caves discovered by Sir George Grey. The reader must decide for himself how far these monuments alone warrant an inference of great degeneration in Australia, or are connected with religion.
